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Cantonese Opera Song By Liang Xinbo &    Zhen Guobao

Cantonese Opera Song By Liang Xinbo & Zhen Guobao
record

谐趣粤曲
绰头王
梁醒波,郑帼宝 演唱

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第一面。黄柳生作曲, 梁醒波,郑帼宝 合唱
夫:(唱) 龙飞凤舞黄金ˇ­ˇ­情感ˇ­ˇ­黄金想多要学会滚,情感,须假志在骗人,遇到的鹧鸪我会捺,为钱出老千我重啃,
妻:(唱) 最曳靠骗人下流坏品,
夫:(唱) 的老衬上当,多数太贪心啫,
妻:(唱) 你有晒理性,最憎你诈笨。
夫:(唱) 致富秘诀,最要扮瘪,
妻:(唱) 梦想口轻轻太过份。
夫:(唱) 叠水威风ˇ­ˇ­凛ˇ­ˇ­凛。
妻:(唱) 胡言乱语其实行句真,
夫:(唱) 穷能善变跌倒起番身,
妻:(唱) 全无义气鬼孖你接近。
夫:(白) 咐我真系唔惊呀,(长二王上句)我唔知义气几钱斤,只识黄金为上品,一朝发达,可以乱闹人,为所欲为,有谁敢过问,就算住喺深山绝岭,一样大把亲朋,有钱驶得鬼推车,刮龙何妨,心狠。
妻:(唱) 可惜今时你穷似光棍。
夫:(唱) 一於开间女子美容院,包保赚钱赚到笑口,呤昤
妻:(唱) 又怕你有钱去请工人,
夫:(唱) 师傅不必向外求,暂请娇妻,你担任。
妻:(白) 随,我都未学过师:点识同人美容呀,
夫:(白) 唔駚学师嘅,(小曲)凭你风韵、灵舍吸引,开张多贵宾,
妻:(唱) 唔再听氹难以应允我揸针都手震,儿童剃臊毛哭声振,怕拒头颅似糯米粉,还有的飞头我亦最憎,最怕狂人都帮趁。
夫:(唱) 但求,系人,越狂,越晕,泡制狂人,前後留执鬈。
妻:(唱) 飞仔,专滚,癣癞通身衰到死,无的斯文,
夫:(唱) 但求赚银,入嚟就擒懒惰人,还重勤帮趁。
妻:(唱) 恐怕招引差伯帮趁,须粗过万寿藤,提防剃刀崩。

Chinese Opera by Peking Opera Co.

Chinese Opera by Peking Opera Co.
record

33 1/3 R.P.M
Columbia Long Playing
4th June 1955, the Second International Festival of Dramatic Art held in Paris introduced the Chinese Opera to the French public

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Tracks:
Dance to a drum
Song of the Yunnan Province
The Court of the Phoenix
Pi Bah Solo
Tseng Solo
Operas (fragments)
The White Serpent
The Farewell to the Favourite
The Three Scourges

ON THE 4th June, 1955, at the Theatre Sarah-Bernhardt, the second International Festival of Dramatic Art held in Paris introduced the Chinese Opera to the French public. It is held by connoisseurs that the influence of the Chinese Opera on the promoters of Western theatres will be comparable to that of the first Russian ballets.
     
The 75 singers, dancers and instrumentalists of the Peking Opera, who were paying their first visit to the West, presented-operatic fragments and dances, as well as virtuosos of the Chinese violin and of the tseng. In Peking an opera performance lasts no less than five to six hours.  The public is familiar with the plot and many of the audience only arrive towards the end, in time for the great aria and the appearance of the leading singer.
    
The classical Chinese Opera, the origin of which goes back to the seventh century, sets out to be an edifying spectacle, which is instructive rather than entertaining.  Mimicry, dancing, juggling and acrobatics all hold an important place in it.
    
Tradition plays an enormous part in the production and conventional rules are strictly adhered to not only in the plot but throughout the symbolical gestures, and even in the makeup.  Although many exquisite subtleties are inevitably lost to the Western public, the music and the singing, provide a' link enabling the uninitiated to appreciate this highly specializes art-form.  It will be immediately apparent that the most earnest endeavors of European and American composers to create an Oriental atmosphere fall lamentably short of this authentic Chinese music.
     
The operatic fragments recorded for the first time in Europe by the artistes of the Peking, Opera are preceded and followed by recordings of popular dances and  ˇ°tseng and pi-pˇŻa solos.  The pi-p'a is a Chinese guitar with four strings, in general use throughout China, as is the so-na , an instrument for peasant music and .a cousin of our oboe. The so-na occupies a very important place in The Court of the Phoenix , the descriptive music of which calls to mind the singing of birds in the forest.
     
The tseng is the oldest Chinese string instrument.  It is a lute with thirteen strings.  They are strung on movable trestles which make it possible to shorten them and give great richness to the instrument.
    
If the percussion instruments, cymbals (lollo), small drum (pangku), big drum (nan tang kou), underline the rhythm of the pantomimes Of the Chinese Opera, the string instruments accompany above all the Whole of the half-spoken and half-sung parts of the performances. They are violins with two strings (kao hou and erl-hu).
     
The secondary personages of the Chinese Opera merely talk.  The heroes, however, sing.  The actors' songs are always popular arias, the libretti of which only indicate the first words, or, as we say, the timbre . The colouring of the voices, particularly the men's, is surprising. They move within a wide range, from the hoarse to the high-pitched, and progress by degrees, with breathtaking nimbleness.
    
Knowledge of Chinese music is extremely limited in the Western Hemisphere and one record can only hint at the vast wealth of musical delight awaiting discovery.  Let this record then be an ambassador of pleasures to come.

Alan Tam Love Song (Ai-lian)

Alan Tam Love Song (Ai-lian)
record

爱念一谭咏麟
第一面: 惰义俩心知, 命运赌注,
第二面: 魔鬼之女, 爱念

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第一面
1.惰义俩心知 (曲:德永英明  词:卢永强   编:杜自持) 3:57
2.命运赌注   (曲:刘诺生    词:韦然     编:RICKY HO) 3:22
3.再续无尽爱 (曲:谭咏麟    词:黄真     编:卢东尼) 3:48
4.伤心带笑者 (曲:谭咏麟    词:林振强   编:入江纯) 4:23
5.爱你两个人 (曲:因幡晃    词:向雪怀   编:入江纯) 4:33

第二面
1.魔鬼之女   (曲:OˇŻNEIL/MANSFIELD    词:林振强    编:DONALD ASHLEY) 4:08
2.爱念       (曲:刘诺生  词:张国祖    编: RICKY HO) 4:33
3.我爱唱机   (曲:卢东尼  词:陈少琪  编:卢东尼) 3:48
4.不可以逃避 (曲:佚名  词:黄沾  编:入江纯 ) 4:18
5.微笑革命   (电影「合家欢」主题曲)(曲:谭咏麟  词:潘源良   编:卢东尼) 3:16

监制:关维麟/叶广权

Alan Tam Fairy Tales & Dreams

Alan Tam Fairy Tales & Dreams
record

FAIRY TALES & DREAMS神话 1991--谭咏麟
It's a secret, kept from all the rest, between you and me

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第一面
1. 北风
2. 友谊永在
3. 摇摆神话
4. 一千个春与冬
5. 昨天的歌

第二面
1. 一生中最爱
2. 明天你是否依然爱我
3. 呈到此
4. 今夜情为证
5. 无声的信笺

Alan Tam Morning After & Nan Wang Du Shi

Alan Tam Morning After & Nan Wang Du Shi
record

Alan Tam Morning After & Nan Wang Du Shi
忘情都市--谭咏麟

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让送暖微风每曰可吹不断,盼歌声唤醒漆黑再星闪闪, 让人羣的爱  轮回再转,只要脉膊相连。

没有爱谁都会经不起考验,耗一生仍空空一片不可恋, 唯有人的爱  从没有改变,热爱朗诵生命诗篇,
爱心奉献, 息息相关不言倦, 暖暖爱意原来是全人类语言, 爱心奉献, 展开一张温柔面, 暖暖爱意埋藏在每颗心, 经得变迁, 当羣众的歌声响遍天, 今晚风吹开黑暗的从前, 黑暗无存, 当了阔的声音响遍天,十数亿的心终会相连, 将会流传永远。

第一面
1. 争气
2. 凌晨之后
3. 浪漫之后
4. 我心如雷
5. 忘情都市

第二面
1. 你知我知
2. 独醉街头
3. 应有此报
4. 生命的诗篇 (防止虐待儿童会十周年纪念歌曲)
5. 至尊无上 (电影至尊无上主题曲)

生命的诗篇
(防止虐待儿童会十周年纪念歌曲)

曲:徐日勤  词:向雪怀  编:S.WATANABE
DRUMS:冈本郭男
E.BASS:渡边直树
E.GT日:青山彻
A.GT日:吉川忠英
SYNTH.KEY:渡边茂树
CHORUS:风之卷
CHORUS ARRANGER:卢东尼
ENGlNEE日:藤野茂树/叶广权

Alan Tam Yong Bao (hug)

Alan Tam Yong Bao (hug)
record

拥抱--谭咏麟
Side A: 午夜皇后 , 同根生(电视剧斗气一族主题曲)
Side B: 水中花, 拥抱

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Side A
1. 午夜皇后
2. 变奏
3. 千金一刻
4. 同根生(电视剧斗气一族主题曲)
5. 领航灯

Side B
1. 水中花
2. 都市猎人
3. 拥抱
4. 八十岁后

水中花  3:59 .    曲、词: 简宁     编曲: 刘以达

这个深夜里, 没法可以安睡, 卧看天空洒泪, 任寒风吹,
冰冷的梦里, 没法跟你相聚, 也许心里的泪, 未能抹去,

绿份让我去握碎,彼此相爱太苦累,不想跌进这火堆,
但愿忘怀甜梦里, 还是让我去面对? 尽管加上我的罪
丝丝温馨的发堆, 我愿来占据!

如倒映水中的鲜花,只可看看未能摘去,
如飘於风中的花香,虚虚渺渺淡然逝去,
然而让我见着你,不想多次去躲避,
风风雨雨我都不畏惧,但求共醉!

都市猎人 4:16.    曲: 谭咏麟   词: 陈少琪   编曲: 入江纯

炎夏里穿起这冬季大衣,路边的都取笑我做儍事,
但我仍不迟疑,用冷目光注视,高呼你旧名字,

沿路里粉笔去写我历史,又记起痴恋你这件儍事
令爱情新名词,尽变玩耍意义,真心会被歧视
没料到热爱就此了事,变化这样容易
没料到热爱就此了事,要记载於报纸

常悔恨困恼自寻,为了你是个猎人
专搜索真心,永不解禁,我的心变得灰暗,
铺满裂痕,困恼自寻,为了你是个猎人,
专搜索真心,利用你假的吻,令我信任,
一生都被情困,

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